Giving Thanks

As the COVID-19 pandemic continues to strip away any illusions we have about our interconnectedness—between us and other people, the planet, and pretty much all life as we know it—this is the perfect time to tap into the roots of the commercial holidays we celebrate today. Take, for example, Thanksgiving.

In modern times, Thanksgiving is associated with family gatherings, watching football, Macy’s Day Parade floats, and eating lots of food (including turkeys . . . without their consent). If asked about the reason for this celebration, most folks raised in the United States hearken to a generic story taught in public schools regarding a shared meal between the Pilgrims and the American Indians.

However, as we peel back the narrative that we’re told about this holiday, it becomes important to more accurately honor its origins. Even after a cursory Internet search, one learns that History.com acknowledges the following (after which it provides links to several other articles regarding the Colonists and commercial exploits of Thanksgiving):

Thanksgiving, which occurs on the fourth Thursday in November, is based on the colonial Pilgrims’ 1621 harvest meal. The holiday continues to be a day for Americans to gather for a day of feasting, football and family.

USHistory.org offers a more detailed account, as in how it relates to William Bradford (the statement below is but a snippet from this website):

By autumn of 1621, the Pilgrims had much for which to be thankful. After the harvest, [Chief] Massasoit and about ninety other Indians joined the Pilgrims for the great English tradition of HARVEST FESTIVAL

But more scintillating, informative, and meaningful still is the content shared by DoSomething.org, a digital platform powering real-world impact. Its article, under the title “Truthsgiving: The True History of Thanksgiving”, discusses perspectives of this holiday as recognized by the Native Americans (meaning, those stories not taught in U.S. schools), the implications of these perspectives, and how you can support Native communities during Thanksgiving and beyond:

The “first Thanksgiving,” as a lot of folks understand it, was in 1621 between the Pilgrims of Plymouth Colony and the Wampanoag* tribe in present-day Massachusetts. While records indicate that this celebration did happen, there are a few misconceptions we need to clear up. [ . . . ] So here’s the full story.

I highly recommend you to explore this notion of “Truthsgiving” (beginning with the above DoSomething.org article) as you count your blessings near the end of this turbulent year. And with that note . . .

. . . my literary, theatrical, interpersonal, familial, occupational, and international endeavors—amongst others—would not be possible or as fulfilling without the support of my wife, Lexie. Each and every day I spend with her is a gift, as she is the keel that keeps my vessel even. For her, as well as our daughter, our families, friends, and Ferdinand (our rabbit companion), I give thanks. Furthermore, I extend gratitude to our health, our teachers past and present, our privileges, employment, and cozy apartment.

As you reflect on your own life’s blessings, for what do you give thanks?

On a writer’s note, I am thankful for the opportunity to have recently submitted an original tale, crafted specifically for the Horror Writer Association’s upcoming anthology, Other Fears. This collection of stories will “[revolve] around a recurring theme that often comes up in both critical analysis of the horror genre and discussions about the prejudices and biases people have against minority groups that manifest in myriad phobias: the idea of ‘otherness’.”

In keeping with the theme of this project, my submission touches upon the discrimination, disparities, and death experienced by people of color in the United States—historically and today. And I am proud to display the “Black Lives Matter” square on my website. When I learn the fate of my submission, I shall share more.

In the meantime, count your blessings, and keep on reading!

Yours in R’yleh,

Tony LaMalfa

An Oldie But a Goodie

The fine folks at Sirens Call Publications have accepted my story, “The Crimson Curse”, for reprinting in the Halloween issue (#51) of their Dark Fantasy and Horror eZine, The Sirens Call. Thank you!

This online publication includes short stories, flash fiction, poetry, and artwork of all grisly sorts.

The entire catalog of The Sirens Call is available to download, for free, at the following link: http://www.sirenscallpublications.com/ezine.htm

Be sure to check out this wealth of content if you are at all a fan of the macabre!

The title of this post also applies to a very significant milestone in my life: my first encounter, at age 8, with media inspired by H. P. Lovecraft: Alone in the Dark (which trumps my last post—about my initial adult encounter with Fantasy Flight’s Arkham Horror board game).

Playing a demo of this virtual adventure, the first 3D survival horror game, on my grandmother’s old Macintosh computer during the summer of 1994 brings back fond memories of childhood.

Developed by Frédérick Raynal and published in 1992 by Infogrames (now Atari SA), Alone in the Dark was the coolest demo on the Club Kidsoft CD, which my brother and I received with a magazine.

Other 30-some-year-olds may also remember this sample disc’s “The Turkey from Albuquerque” tune, by the fictional band Blue Oyster Stuffit.

At the time, I did not understand Alone in the Dark’s origins, nor did I realize the profound influence it would eventually have on my literary interest later in life; but needless to say, I was hooked!

Yours in R’lyeh,

Tony LaMalfa

Birthday Bookends

With the maiden voyage of this website, please extend Happy 130th Birthday wishes to the memory of Providence, Rhode Island native and writer Howard Phillips Lovecraft (1890-1937)—more widely known as H. P. Lovecraft.

If you are unfamiliar with the “Father of Weird Fiction and Son of Providence” but interested in learning about his literary legacy, please click on the above hyperlink (alternatively, you can check out his Wikipedia page).

It was in 2013 that I first encountered the body of works written by Lovecraft. I was interested in cooperative board games that possessed a central antagonist(s) driven by the game’s own mechanics—as opposed to a competitive board game or one in which a player took on the role of the antagonist. After enjoying the VHS-driven, a-la “party” board game Nightmare, I discovered Fantasy Flight’s Arkham Horror. (Funny enough, I would never end up playing this game after owning it for years.)

The most important consequence of my interest in Arkham Horror was that it led me to Lovecraft. Rather than crack open a “Collected Works of . . .” or read online versions of his stories, I stumbled upon pure gold: Audio Realms’ The Dark Worlds of H. P. Lovecraft, narrated by Wayne June. This six-CD set contains some of Lovecraft’s most distinguished tales, and the production quality is second to none. Add the flavorful, frightening narration of June, and you have what I believe is the best vehicle with which to digest the fiction written by this “Son of Providence.”

I vividly recall the nostalgia of listening to The Shadow over Innsmouth. Every line led me deeper into that “ancient, blight-shadowed town” while its climax had me standing on pins and needles—I had previously been sitting cross-legged on the carpet. My wife indulged me, listening along for my second go-around and allowed herself to influenced by my enthusiasm for Lovecraft’s stories. It’s been seven years, and I’m happy to say that we’ve never looked back . . .

Yours in R’lyeh,

Tony LaMalfa